{"id":32715,"date":"2022-07-20T10:56:28","date_gmt":"2022-07-20T08:56:28","guid":{"rendered":"https:\/\/operaduomo.siena.it\/panorama-and-new-cathedral\/"},"modified":"2026-04-13T12:33:00","modified_gmt":"2026-04-13T10:33:00","slug":"panorama-and-new-cathedral","status":"publish","type":"page","link":"https:\/\/operaduomo.siena.it\/en\/panorama-and-new-cathedral\/","title":{"rendered":"PANORAMA AND NEW CATHEDRAL"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row full_width=&#8221;stretch_row&#8221; css=&#8221;.vc_custom_1647857094566{padding-top: 0px !important;background-color: rgba(165,119,4,0.08) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;*background-color: rgb(165,119,4) !important;}&#8221;][vc_column]<div class=\"clearboth\"><\/div><style>#thegem-divider-69e6c9041a832 {margin-top: 60px !important;}<\/style><div id=\"thegem-divider-69e6c9041a832\" class=\"gem-divider  \" style=\"\" ><\/div>[vc_column_text css_animation=&#8221;bottom-to-top&#8221;]<\/p>\n<div class=\"title-h4\" style=\"text-align: center;\">Panorama from the Unfinished Fa\u00e7ade<\/div>\n<p>[\/vc_column_text]<div class=\"clearboth\"><\/div><div id=\"thegem-divider-69e6c9041a89b\" class=\"gem-divider  \" style=\"\" ><\/div>[vc_column_text css_animation=&#8221;bottom-to-top&#8221;]<\/p>\n<div class=\"title-h1\" style=\"text-align: center;\">The masterpiece of Sienese Gothic architecture<\/div>\n<p>[\/vc_column_text][vc_column_text css_animation=&#8221;bottom-to-top&#8221;]<\/p>\n<div style=\"margin: auto; max-width: 780px; text-align: center;\">The most awe-inspiring viewpoint in Siena. A breathtaking panorama. A walk up the interior of one of the most important monuments in Siena&#8217;s history.<\/div>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_masonry_media_grid element_width=&#8221;12&#8243; gap=&#8221;0&#8243; grid_id=&#8221;vc_gid:1776075796337-f1a5514e93a3c83e688b13dbb739febc-6&#8243; include=&#8221;32556&#8243;]<div class=\"clearboth\"><\/div><style>#thegem-divider-69e6c9041a8e2 {margin-top: 83px !important;}<\/style><div id=\"thegem-divider-69e6c9041a8e2\" class=\"gem-divider  \" style=\"\" ><\/div>[\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;20px&#8221;][vc_column_text]<\/p>\n<h1 class=\"brand font-w900 p_t_b_20\" style=\"text-align: center;\"><span style=\"color: #a57704;\">History<br \/>\n<\/span><\/h1>\n<hr \/>\n<p class=\"m_bottom_50\">The &#8220;Grand General Council of the Bell&#8221; officially approved a motion to extend Siena Cathedral (ASS, Consiglio generale 125, cc. 18r-19r), with 212 votes in favour and 132 against, on 23 August 1339. The partial construction of the extension was to drag on until 1357, but in actual fact the Council was approving a project that was already under way because, as the chronicler Andrea Dei tells us, the foundation stone of the &#8220;New Cathedral&#8217;s&#8221; fa\u00e7ade had been laid on 2 February 1330. The ceremony for the blessing of the stone was conducted by the Bishop of Siena Donusdeo Malavolti and by the Bishop of Massa Galgano Pagliaresi in the presence of the city&#8217;s clerical population. The existing church was to become the transept of the New Cathedral, whose nave and aisles would have been situated in what is now Piazza Jacopo della Quercia (formerly Piazza dei Manetti): &#8220;per planum Sancte Marie versus plateam Manettorum&#8221;. The Archive of the Opera della Metropolitana has two ground-plans for the Cathedral&#8217;s planned extension.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_empty_space height=&#8221;20px&#8221;][vc_masonry_media_grid element_width=&#8221;12&#8243; gap=&#8221;0&#8243; item=&#8221;mediaGrid_Default&#8221; grid_id=&#8221;vc_gid:1776075796417-82395f9d9ca94b1496aa060763477f10-6&#8243; include=&#8221;32557&#8243;][vc_empty_space height=&#8221;20px&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<p class=\"m_bottom_50\">Work on extending the church eastwards (towards Vallepiatta) and on erecting the Baptistry fa\u00e7ade had actually begun on 1 May 1317, and a campaign launched in 1331 to buy up buildings on the level plot of land facing the Hospital of Santa Maria della Scala and the Postierla or postern gate, in order to demolish them and thus acquire the space on which to build the new Cathedral.<\/p>\n<p>Responsibility for the extension work was entrusted in December 1339 to Lando di Pietro, a skilled goldsmith who had also acquired a certain renown in the fields of engineering and bell-balancing and had masterminded the construction of the bastions at Montemassi in 1328 and the walls of Paganico in 1334. He was called back expressly from Naples, where he was in service with King Robert of Anjou, but his work in Siena was cut short by his death on 3 August 1340. His place was taken by a highly sophisticated Sienese sculptor named Giovanni d&#8217;Agostino (through an administrative deed signed by Operaio Latino de&#8217; Rossi on 23 March 1340). Giovanni pushed speedily ahead with the construction of the &#8220;New Cathedral&#8221;, which was destined to become the masterpiece of Sienese Gothic art, until his death in 1348 when he was probably carried off by the plague. While Lando di Pietro had been a kind of &#8220;overseer&#8221; of the works paid (also) by the Siena municipal authorities, Giovanni d&#8217;Agostino was hired as the Opera&#8217;s own master-builder.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221;][vc_column width=&#8221;1\/2&#8243; offset=&#8221;vc_hidden-sm vc_hidden-xs&#8221;][vc_column_text]<\/p>\n<p class=\"m_bottom_50\">Building slowed down considerably after 1348, until if finally ground to a halt both as a result of the economic recession triggered by the Black Death, which had decimated the city&#8217;s population, and following the detection of a number of stability issues in parts of the building that had already been erected.<\/p>\n<p>After the project had been abandoned for good, the &#8220;New Cathedral&#8221; was partly demolished, the Twelve Governors of the Republic ordered the demolition in 1357 of those parts of the building that had been declared unsound. The mammoth project&#8217;s surviving portions include a huge &#8220;torso&#8221; comprising the &#8220;Unfinished Fa\u00e7ade&#8221;, the side walls and the north aisle. The scant remains of the south aisle include the arcades, the two-light or &#8220;gemel&#8221; Gothic windows and the lower part of the wall&#8217;s marble facing. The brick infill was required to permit the construction of the Royal Palace, now the seat of the Prefect and of the Provincial Administration.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243; offset=&#8221;vc_hidden-sm vc_hidden-xs&#8221;][vc_masonry_media_grid element_width=&#8221;12&#8243; gap=&#8221;0&#8243; item=&#8221;mediaGrid_Default&#8221; grid_id=&#8221;vc_gid:1776075796513-dede6519abdd257933db3f1d88754678-0&#8243; include=&#8221;32615&#8243;][vc_empty_space height=&#8221;20px&#8221;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221;][vc_column width=&#8221;1\/2&#8243; offset=&#8221;vc_hidden-lg vc_hidden-md&#8221;][vc_empty_space height=&#8221;50px&#8221;][vc_masonry_media_grid element_width=&#8221;12&#8243; gap=&#8221;0&#8243; item=&#8221;mediaGrid_Default&#8221; grid_id=&#8221;vc_gid:1776075796586-27b90e44fc7ff14d0d6ce136a0bae914-6&#8243; include=&#8221;32615&#8243;][vc_empty_space height=&#8221;20px&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243; offset=&#8221;vc_hidden-lg vc_hidden-md&#8221;][vc_column_text]<\/p>\n<p class=\"m_bottom_50\">Building slowed down considerably after 1348, until if finally ground to a halt both as a result of the economic recession triggered by the Black Death, which had decimated the city&#8217;s population, and following the detection of a number of stability issues in parts of the building that had already been erected.<\/p>\n<p>After the project had been abandoned for good, the &#8220;New Cathedral&#8221; was partly demolished, the Twelve Governors of the Republic ordered the demolition in 1357 of those parts of the building that had been declared unsound. The mammoth project&#8217;s surviving portions include a huge &#8220;torso&#8221; comprising the &#8220;Unfinished Fa\u00e7ade&#8221;, the side walls and the north aisle. The scant remains of the south aisle include the arcades, the two-light or &#8220;gemel&#8221; Gothic windows and the lower part of the wall&#8217;s marble facing. The brick infill was required to permit the construction of the Royal Palace, now the seat of the Prefect and of the Provincial Administration.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row_content&#8221; css=&#8221;.vc_custom_1650452376621{margin-top: 20px !important;margin-bottom: 0px !important;padding-top: 40px !important;background-color: #f7f7f7 !important;}&#8221;][vc_column width=&#8221;1\/2&#8243; offset=&#8221;vc_hidden-sm vc_hidden-xs&#8221;][vc_masonry_media_grid element_width=&#8221;12&#8243; gap=&#8221;0&#8243; grid_id=&#8221;vc_gid:1776075796677-ceabbef66dee6fcfb076f5bd0885867b-8&#8243; include=&#8221;32559&#8243;][\/vc_column][vc_column width=&#8221;1\/2&#8243; offset=&#8221;vc_hidden-sm vc_hidden-xs&#8221;][vc_column_text css=&#8221;.vc_custom_1650450590551{margin: 30px !important;}&#8221;]<\/p>\n<h2 class=\"brand font-w900 p_t_b_20\"><span style=\"color: #a57704;\">Architecture<br \/>\n<\/span><\/h2>\n<hr \/>\n<p class=\"m_bottom_50\">The enormous fa\u00e7ade is faced on the inside \u2013 the side facing the square \u2013 with typically Tuscan alternating bands of black and white marble. The construction achieves a graceful lightness thanks to three arcades (two of which are large windows or loggias that can be accessed via the Tapestry Room in the Museo dell&#8217;Opera) and to the &#8220;New Cathedral&#8217;s&#8221; portal which was bricked up to allow the construction of the building now used as the city&#8217;s Questura or police headquarters.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row_content&#8221; css=&#8221;.vc_custom_1650452619984{margin-bottom: 0px !important;background-color: #f7f7f7 !important;}&#8221;][vc_column width=&#8221;1\/2&#8243; offset=&#8221;vc_hidden-lg vc_hidden-md&#8221;][vc_column_text]<\/p>\n<h1 class=\"brand font-w900 p_t_b_20\"><span style=\"color: #a57704;\">Architecture<br \/>\n<\/span><\/h1>\n<hr \/>\n<p class=\"m_bottom_50\">The enormous fa\u00e7ade is faced on the inside \u2013 the side facing the square \u2013 with typically Tuscan alternating bands of black and white marble. The construction achieves a graceful lightness thanks to three arcades (two of which are large windows or loggias that can be accessed via the Tapestry Room in the Museo dell&#8217;Opera) and to the &#8220;New Cathedral&#8217;s&#8221; portal which was bricked up to allow the construction of the building now used as the city&#8217;s Questura or police headquarters.<\/p>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243; offset=&#8221;vc_hidden-lg vc_hidden-md&#8221;][vc_masonry_media_grid element_width=&#8221;12&#8243; gap=&#8221;0&#8243; grid_id=&#8221;vc_gid:1776075796805-0a3ed4271c9cd4cdfd074318cba1fdf8-7&#8243; include=&#8221;32559&#8243;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row_content&#8221; css=&#8221;.vc_custom_1650451260339{margin-top: 0px !important;margin-bottom: 0px !important;background-color: #f7f7f7 !important;}&#8221;][vc_column width=&#8221;1\/2&#8243; offset=&#8221;vc_hidden-sm vc_hidden-xs&#8221;][vc_column_text css=&#8221;.vc_custom_1650450784288{margin: 30px !important;}&#8221;]<\/p>\n<h2 class=\"brand font-w900 p_t_b_20\"><span style=\"color: #a57704;\">Piazza Jacopo della Quercia<\/span><\/h2>\n<hr \/>\n<p class=\"m_bottom_50\">Piazza Jacopo della Quercia, a regular rectangle in plan, comprises the nave and north aisle of the &#8220;New Cathedral&#8221; and is paved in grey pietra serena stone like Piazza del Duomo. One can still make out the marble outlines of the bases of the south aisle piers which were demolished after the project was abandoned. The north aisle piers faced with black and white marble have survived and still carry the arcades supporting the roof of the Museo dell&#8217;Opera and the loggia leading up to it.<\/p>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243; offset=&#8221;vc_hidden-sm vc_hidden-xs&#8221;][vc_masonry_media_grid element_width=&#8221;12&#8243; gap=&#8221;0&#8243; grid_id=&#8221;vc_gid:1776075796907-369458caafc6b38f7575f9abdccf7b67-5&#8243; include=&#8221;32563&#8243;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row_content&#8221; css=&#8221;.vc_custom_1650451260339{margin-top: 0px !important;margin-bottom: 0px !important;background-color: #f7f7f7 !important;}&#8221;][vc_column width=&#8221;1\/2&#8243; offset=&#8221;vc_hidden-lg vc_hidden-md&#8221;][vc_column_text]<\/p>\n<h1 class=\"brand font-w900 p_t_b_20\"><span style=\"color: #a57704;\">Piazza Jacopo della Quercia<\/span><\/h1>\n<hr \/>\n<p class=\"m_bottom_50\">Piazza Jacopo della Quercia, a regular rectangle in plan, comprises the nave and north aisle of the &#8220;New Cathedral&#8221; and is paved in grey pietra serena stone like Piazza del Duomo. One can still make out the marble outlines of the bases of the south aisle piers which were demolished after the project was abandoned. The north aisle piers faced with black and white marble have survived and still carry the arcades supporting the roof of the Museo dell&#8217;Opera and the loggia leading up to it.<\/p>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243; offset=&#8221;vc_hidden-lg vc_hidden-md&#8221;][vc_masonry_media_grid element_width=&#8221;12&#8243; gap=&#8221;0&#8243; grid_id=&#8221;vc_gid:1776075797012-6cf866433a06145f7bb79b7fcf2853aa-6&#8243; include=&#8221;32563&#8243;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row_content&#8221; css=&#8221;.vc_custom_1650451304834{margin-top: 0px !important;padding-bottom: 40px !important;background-color: #f7f7f7 !important;}&#8221;][vc_column width=&#8221;1\/2&#8243; offset=&#8221;vc_hidden-sm vc_hidden-xs&#8221;][vc_masonry_media_grid element_width=&#8221;6&#8243; item=&#8221;mediaGrid_Default&#8221; grid_id=&#8221;vc_gid:1776075797078-d2c3a1d35d942f9e92f89dfc0258d6ce-7&#8243; include=&#8221;32561,32562&#8243;][\/vc_column][vc_column width=&#8221;1\/2&#8243; offset=&#8221;vc_hidden-sm vc_hidden-xs&#8221;][vc_column_text css=&#8221;.vc_custom_1655107163461{margin-top: 30px !important;margin-right: 30px !important;margin-bottom: 30px !important;margin-left: 30px !important;}&#8221;]<\/p>\n<h2 class=\"brand font-w900 p_t_b_20\"><span style=\"color: #a57704;\">Sculptures<br \/>\n<\/span><\/h2>\n<hr \/>\n<p class=\"m_bottom_50\">The sculptures and carved fragments adorning the &#8220;New Cathedral&#8217;s&#8221; structure include bas-reliefs in the lunettes above the doors giving onto the loggia, depicting a <em>Madonna and Child and a Redeemer Blessing between Two Cherubs<\/em>, both of which reveal the &#8220;painterly&#8221; style of Giovanni d&#8217;Agostino. These reliefs precede the finest portal in the whole of Sienese art&#8221; (Enzo Carli) opening off the north aisle of the &#8220;New Cathedral&#8221;. The portal, best viewed from the bottom of the picturesque staircase leading to Piazza San Giovanni, is now used as a passage between Piazza del Duomo and Via di Monna Agnese. The original statues from the marble group depicting the <em>Redeemer between Two Angels<\/em>, now on display in the Apostles Room in the Museo dell&#8217;Opera, mark one of the high points of 14th century sculpture, perfectly in keeping with the style of the Sienese painters of the 14th century.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row_content&#8221; css=&#8221;.vc_custom_1650452559314{margin-top: 0px !important;background-color: #f7f7f7 !important;}&#8221;][vc_column width=&#8221;1\/2&#8243; offset=&#8221;vc_hidden-lg vc_hidden-md&#8221;][vc_column_text]<\/p>\n<h1 class=\"brand font-w900 p_t_b_20\"><span style=\"color: #a57704;\">Sculptures<br \/>\n<\/span><\/h1>\n<hr \/>\n<p class=\"m_bottom_50\">The sculptures and carved fragments adorning the &#8220;New Cathedral&#8217;s&#8221; structure include bas-reliefs in the lunettes above the doors giving onto the loggia, depicting a Madonna and Child and a <em>Redeemer Blessing between Two Cherubs<\/em>, both of which reveal the &#8220;painterly&#8221; style of Giovanni d&#8217;Agostino. These reliefs precede the finest portal in the whole of Sienese art&#8221; (Enzo Carli) opening off the north aisle of the &#8220;New Cathedral&#8221;. The portal, best viewed from the bottom of the picturesque staircase leading to Piazza San Giovanni, is now used as a passage between Piazza del Duomo and Via di Monna Agnese. The original statues from the marble group depicting the <em>Redeemer between Two Angels<\/em>, now on display in the Apostles Room in the Museo dell&#8217;Opera, mark one of the high points of 14th century sculpture, perfectly in keeping with the style of the Sienese painters of the 14th century.<\/p>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243; offset=&#8221;vc_hidden-lg vc_hidden-md&#8221;][vc_masonry_media_grid element_width=&#8221;6&#8243; item=&#8221;mediaGrid_Default&#8221; grid_id=&#8221;vc_gid:1776075797239-8bbea0c1aea730210f3a86cef1cc8e28-0&#8243; include=&#8221;32561,32562&#8243;][\/vc_column][\/vc_row][vc_row gap=&#8221;10&#8243; equal_height=&#8221;yes&#8221; css=&#8221;.vc_custom_1657622081225{margin-top: 20px !important;margin-bottom: 25px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1655288225753{border-top-width: 1px !important;border-right-width: 1px !important;border-bottom-width: 1px !important;border-left-width: 1px !important;border-left-color: #424242 !important;border-left-style: solid !important;border-right-color: #424242 !important;border-right-style: solid !important;border-top-color: #424242 !important;border-top-style: solid !important;border-bottom-color: #424242 !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<h5 class=\"font-w900 uppercase m_bottom_20\">OPENING TIMES PANORAMA AND NEW CATHEDRAL<\/h5>\n<p><span style=\"color: #a57704;\">From 7 January to 31 March 2026<br \/>\n<\/span><strong>10:30 am \u2013 5:30 pm<\/strong><\/p>\n<p><span style=\"color: #a57704;\">From 1 april to 31 october 2026<br \/>\n<\/span><strong>9:30 am \u2013 7:30 pm<\/strong><\/p>\n<p><span style=\"color: #a57704;\">From 1 November to 24 December 2026<br \/>\n<\/span><strong>10:30 am \u2013 5:30 pm<\/strong><\/p>\n<p><span style=\"color: #a57704;\">From 26 December\u00a0 to 6 January 2027<br \/>\n<\/span><strong>09:30 am \u2013 7:30 pm<\/strong><\/p>\n<p><strong>Last admission 30 minutes before closing time.<\/strong>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1655288235960{border: 1px solid #424242 !important;border-radius: 1px !important;}&#8221;][vc_column_text]DURING UNCOVERING THE FLOOR<br \/>\n<span style=\"color: #a57704;\">From 27 June to 31 July and from 18 August to 30 October 2026<\/span><br \/>\n<strong>09:30 am \u2013 7:30 pm<\/strong><\/p>\n<p><span style=\"color: #a57704;\">From 1 november to 15 november 2026<\/span><br \/>\n<strong>10:30 am \u2013 6:00 pm<\/strong><\/p>\n<p><strong>Last admission 30 minutes before closing time.<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;10&#8243; equal_height=&#8221;yes&#8221; css=&#8221;.vc_custom_1650451832340{margin-bottom: 25px !important;padding-top: 30px !important;padding-bottom: 30px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1649242125322{border-top-width: 1px !important;border-right-width: 1px !important;border-bottom-width: 1px !important;border-left-width: 1px !important;border-left-color: #424242 !important;border-left-style: solid !important;border-right-color: #424242 !important;border-right-style: solid !important;border-top-color: #424242 !important;border-top-style: solid !important;border-bottom-color: #424242 !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<h5 class=\"font-w900 uppercase\"><strong><span style=\"color: #a57704;\">CALL CENTER<\/span><\/strong><\/h5>\n<p><span style=\"color: #a57704;\">Information, reservations and ticket sales<\/span><\/p>\n<h5 class=\"font-w900 uppercase\"><strong><span style=\"color: #a57704;\">+39 0577 286300<br \/>\n<\/span><\/strong><\/h5>\n<p>[\/vc_column_text]<style type=\"text\/css\">.thegem-button-69e6c9041a9bf6380 .gem-button svg {fill: #000000;}.thegem-button-69e6c9041a9bf6380 .gem-button:hover svg {fill: #f1f2f4;}<\/style><div class=\"gem-button-container gem-button-position-left thegem-button-69e6c9041a9bf6380    \"  ><a class=\"gem-button gem-button-size-small gem-button-style-outline gem-button-text-weight-normal gem-button-border-2\" data-ll-effect=\"drop-right-without-wrap\" style=\"border-radius: 0px;border-color: #000000;color: #000000;\" onmouseleave=\"this.style.borderColor='#000000';this.style.backgroundColor='transparent';this.style.color='#000000';\" onmouseenter=\"this.style.borderColor='#000000';this.style.backgroundColor='#000000';this.style.color='#f1f2f4';\" href=\"mailto:opasiena@operalaboratori.com\" target=\"_self\">SEND MAIL<\/a><\/div> [\/vc_column][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1649242140410{border: 1px solid #424242 !important;}&#8221;][vc_column_text]<\/p>\n<h5 class=\"font-w900 uppercase\"><strong><span style=\"color: #a57704;\">TICKETS<\/span><\/strong><\/h5>\n<p><span style=\"color: #a57704;\">Immediate access to the masterpieces of the Monumental Complex of the Duomo, reducing waiting times<br \/>\n<\/span>[\/vc_column_text]<style type=\"text\/css\">.thegem-button-69e6c9041aa8d5227 .gem-button svg {fill: #a57704;}.thegem-button-69e6c9041aa8d5227 .gem-button:hover svg {fill: #f1f2f4;}<\/style><div class=\"gem-button-container gem-button-position-left thegem-button-69e6c9041aa8d5227    \"  ><a class=\"gem-button gem-button-size-small gem-button-style-outline gem-button-text-weight-normal gem-button-border-2\" data-ll-effect=\"drop-right-without-wrap\" style=\"border-radius: 0px;border-color: #a57704;color: #a57704;\" onmouseleave=\"this.style.borderColor='#a57704';this.style.backgroundColor='transparent';this.style.color='#a57704';\" onmouseenter=\"this.style.borderColor='#a57704';this.style.backgroundColor='#a57704';this.style.color='#f1f2f4';\" href=\"https:\/\/operalaboratori.vivaticket.it\/\" target=\"_blank\">BUY TICKETS<\/a><\/div> [\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221;][vc_column][vc_column_text]<strong><span style=\"color: #a57704;\">*<\/span> Those born and resident in the Municipality of Siena have free access to the entire monumental complex of the Duomo<br \/>\n<\/strong>[\/vc_column_text][vc_empty_space height=&#8221;50px&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row full_width=&#8221;stretch_row&#8221; css=&#8221;.vc_custom_1647857094566{padding-top: 0px !important;background-color: rgba(165,119,4,0.08) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;*background-color: rgb(165,119,4) !important;}&#8221;][vc_column][vc_column_text css_animation=&#8221;bottom-to-top&#8221;] Panorama from the Unfinished&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-32715","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/operaduomo.siena.it\/en\/wp-json\/wp\/v2\/pages\/32715","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/operaduomo.siena.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/operaduomo.siena.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/operaduomo.siena.it\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/operaduomo.siena.it\/en\/wp-json\/wp\/v2\/comments?post=32715"}],"version-history":[{"count":14,"href":"https:\/\/operaduomo.siena.it\/en\/wp-json\/wp\/v2\/pages\/32715\/revisions"}],"predecessor-version":[{"id":34186,"href":"https:\/\/operaduomo.siena.it\/en\/wp-json\/wp\/v2\/pages\/32715\/revisions\/34186"}],"wp:attachment":[{"href":"https:\/\/operaduomo.siena.it\/en\/wp-json\/wp\/v2\/media?parent=32715"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}